Wednesday, November 28, 2012

Who is Whoring Who? Virtual to Reality

In the past month or so, I experienced self-induced and intentional destruction of my psyche. When I attempt to grasp meaning, I realize the whole meaning is to stop analyzing the bullshit culture we currently reside in. Facebooking and Blogging (which I am doing right now) equals technology taking the place of interpersonal communication, leading to a complete breakdown in our connections with other human beings that are creative, unique, and on the fringes. This is the new economy in which we pay outrageous sums of money for degrees to obtain jobs we had without degrees, but making half as much. The cost of gas incurs the rising cost of food and government assistance is at an all-time high, which is fine by me.

My current state of varying sobriety gave me a glimpse into the pipe dreaming I was taking part in. Number one, most artistic and creative endeavors do not pay shit and you are working for free, as a lot of us are, in hopes gaining notice to have the ability to EEK out a living doing something we “kinda” like doing. My thoughts raced, and instead of panicking, I thought to myself, who fucking cares? Why do I put people on a pedestal, when we are all trying to act as if nothing is wrong in the antiquated, old rusty world we live in. EVERYTHING IS WRONG. Who has the most! Who is the happiest! Who knows the secret to life! No one, and if you did, it would kill all of the exciting skin crawling bullshit we get to do in between trying to keep a roof on our heads, navigating relationships, and just hoping for a day to breathe and not have to worry about some bullshit obligation to keep someone else from being uncomfortable.

I am uncomfortable with the simple fact I have to censor myself in the public realms where everyone is more concerned about having the most “likes” and “views” than having a real purpose, whether that is rescuing animals or subverting the financial institutions of the world. Ted Kaczynski had it right, when he declared in his 1990’s masterpiece that technology was robbing the human race of its own unique thought processes and destroying creativity and human dignity all in the name of “progress”. What fucking “progress”? Life has turned into one giant world of sadistic “make believe” and the kids are all drinking the Kool-Aid with just enough not to kill.

The latest decade of the 2000’s is about the evaporation of the individual. It is a tragedy that we require so much virtual validation instead of validating ourselves, because no one wants to admit that life right now is hard, it’s really fucking hard. If we can openly discuss these things, the beauty of conversation appears and real human connections happen. At this point, I realize, fuck that Facebook shit, IT’S NOT REAL. I am guilty of all charges and all I seek is an honest indictment of myself. A thought for the day that always keeps me going from the author of the 1990’s masterpiece mentioned earlier is “they were going to die anyway”.

I am going to die anyway, so I need to get moving and energy flowing and I can’t do that stuck behind a computer screen trying to fill an imagined hole of the necessity to have an explanation for everything I do. I do not have any explanations that I care to share, it doesn’t fucking matter. What does matter is that every day has personal meaning… through the lenses of fear and uncertainty of the world that surrounds, I did the best I fucking could… if speaking your mind means getting thrown down a flight of stairs, funny looks from people, and ostracized by “well balanced” individuals…in my book… my life had purpose, only known to me…… we’ll see what’s next and thank you. On another note, I love Brigitte Bardot and Bill Joel’s “The Stranger” is a great album, sorry I’m all out of punk :)






MY BULLSHIT MAGAZINE IS HERE! ENJOY THE NOTHINGNESS

Saturday, November 17, 2012

FALL ISSUE: A TIME OF DYING, cyanide fantasies, pretty things and all.

I almost died twice doing this one and thanks to everyone for being around. enjoy.

This issue features Kim Fowley, Versailles, Jeff Smith of the Hickoids, The Dollyrots, Susan Surftone, Ralph Carney, Spit Records, Dime Runner, and an extensive interview with Robbie Fields of POSH BOY RECORDS!!!! great exclusives by Chuck Foster, DIRK LE BUZZ!, and special thanks to Shawn Abnxious in a great supplement RIGHT HERE!!

I went Hollyweird on this one and don't think I came back the same person. I am currently waltzing solo by the beach watching slow waves on an overcast day. Dancing with the Devil too much and getting stuck in someone else's B MOVIE. I talked about the process earlier. Imagine Foxes meets Hardcore with a bit of Leaving Las Vegas. I'll have more to come and please contact through the magazine site right here FEAR & LOATHING LB

BENEATH THE NEW ISSUE ARE SOME GREAT WRITINGS BY SHAWN ABNOXIOUS< read them :)

Monday, October 15, 2012

Kim Fowley Tells All: CHAPTER 1 & NEW MUSIC TIME BOMBS!!!

We have the new issue cuming this Friday and what a long, strange trip it has been to accomplish the second installment of Fear and Loathing LB Online Magazine

in the meantime...

WORLD PREMIERE OF KIM FOWLEY ULTIMATE INTERVIEW: CHAPTER ONE! Soak in the venom and bathe in a massacre of Explosion, Fury, and Rawness to end your Worrisome Life with an unrelenting tour de force of the Legend himself! BEWARE, THIS IS NOT A MOVIE



NEW MUSIC SELECTIONS FROM OUR STAFF THAT YOU NEED TO CHECK OUT!!!

NOiZEE™'s cover of the CLASSIC Ramones song "Somebody Put Something In My Drink"....(RAW AND AUTHENTIC VERSION)... THIS IS HOT AND HAPPENING!!



SNOW MERCY- I think the the clip will tell you everything I can't ...enjoy



Let Us not forget about our beloved Long Beach!!

Wrong Beach rips up a classic! Exclusive Interview in the upcoming issue!



Noxious Gurlfriend - car crash between Echo & the Bunnymen, GG Allin, & The Ventures



FROM ITALY, THE BLACK MONDAYS!



Have an uncomfortable monday..... as always, do not keep it clean.


Friday, October 12, 2012

KIM FOWLEY: EXPLOSIVE & EXPOSED EXCLUSIVE

we're going LIVE with this explosive preface to the EXPLOSIVE full length interview with the legendary Kim Fowley and Versailles. YOU WILL NOT BE DISAPPOINTED!
FALL ISSUE OCT 23 at F&L LB





Saturday, September 29, 2012

Kim Fowley Master of Disaster and the Latest from Kevin

The legendary KF will be joining us for a new interview this month at FEAR&LOATHING LB MAGAZINE Different than any other interview in the last 4 years. Such topics as Sex, Death, Dope, & Violence, Toxic Cougars, Kim Fowley NU Albums, Plus new music releases by Versailles, The Fabulous Miss Wendy, Burning Bones, Elmyra, Brianna Garcia, & Snow Mercy. KF's movies, "BRD/GRTN" are also being discussed. Cancer Issues/Insanity/Innocence & Madness will be on full display.


Kim Fowley, IS The “Master Of Disaster”. A Ugly/Horrible/Disturbing Performance Art Video, Filmed & Edited by Ericka Clevenger, Taylor Locke & Ian Asbjørnsen! Kim Fowley Produced the music. Kim Fowley is a Hunger Strike Frankenstein for The 21st Century. KF is the Oldest/Boldest/Magical/ Monster Product in The World. Check out the album, “Now” on iTunes. Stay tuned for more Recession Era Creative Surprises by Kim Fowley.
This issue will also feature Rick Hostage's CRASH AND BURN, MIKE LOHRMAN/THE STITCHES, JEFF SMITH/THE HICKOIDS, UBERGROUND CINEMA WITH CHUCK FOSTER, WRONG BEACH, THE DOLLYROTS, THE PEGS, SUSAN SURFTONE, RALPH CARNEY, SPIT RECORDS, DIME RUNNER, and MORE MODEL MAYHEM TO TWIST YOUR EYEBALLS!!!!
"forget about good taste..." plus did I mention PETER of the infamous KBD RECORDS online site!!!

A KBD CLASSIC!!

In Absentia by: Kevin McGovern

I watched a movie the other night about a girl returning to her family in L.A after years of travelling from town to tow, state to state, in search of something, something different. With this territory comes a copious amount of alcohol and drug consumption because it is hard to be human at times. Upon arriving, people from the old neighborhood have disappeared, young and old without a trace. The portal to these disappearance is a park with a walk through tunnel that is decades old.

Her sister, the only remaining family member, IS an unhappy marriage (from making everlasting decisions based on a high school crush),the rest of those who have disappeared were obsessed and traumatized to a point their lives just went in a circle from day to day. A calendar did not really apply anymore to the static regimen of structure of those intertwined in the vanishings. Eventually more go missing and so does the sister who is providing the “bad sister” with a place to live. Before she disappears, she proclaims she was always envious, because the “bad sister” always kept going no matter what and she never looked back, always without apology.

The walls of the tunnel are where everyone vanished, stuck in time, frozen and screaming to get out but wanting to come back without personal meaning and in a zombie form, so it appears. The point is those who disappeared were already in zombie form to begin with. The “bad sister” eventually disappears into the wall when she ruminates over her sister’s disappearance and drops her plans to leave town even though she is spun out of her mind again.
As long as we keep moving and continuing our sordid affairs and embrace destruction, insanity, and madness, we expand into the chaotic structure of the world as it was meant to be. Chaos should not be structured and when we try to, we may end up living our lives, permanently in absentia.

Tuesday, September 18, 2012

SURFTONE & GO-GO DANCING

Susan and Seana of “Susan Surftone stopped by for a few words about their upcoming California shows and current surf and go-go happenings. “Shore” is a great surf album you need to check out. Cheers









Hello Susan and welcome to Fear and Loathing in Long Beach, I have to start by saying your surf-rock masterpiece, “Shore,” is nothing short of incredible! People who think of women in rock will mention surf influenced bands such as The Bangles, Go-Go’s, and even The Muffs. Even though these bands are not surf purists and more pop in their approach, why become a surf-rock guitar starlet instead of chasing down the bubble gum dreams of the ever-elusive Hot 100?

Susan: To be honest I'm not a vocalist. I've got about a three note range and that's it. I really never, even as a kid, viewed myself as a singer. George Harrison was my favorite Beatle because he was the lead guitarist. I always wanted to be the lead guitar player in a band and surf-rock offered the opportunity. Thanks for the kind words about "Shore".

You were actually an FBI agent at one point in time, are you able to profile your audience? Who digs the exotic surf sounds in the year 2012, where auto tuners and synthetic production reign supreme?

Susan: I have a fairly good read on my audience. For the most part the audience is male. For some reason men just seem more drawn to instrumental surf-rock than women. Although I do have to say women are fast becoming a larger part of my audience. It's mainly younger women because I think they are more involved as guitarists, bassists and drummers themselves. It is not at all a novelty any more to see a woman as an instrumentalist in a band in many genres. 

Was the punk scene an influence growing up in New York? What elements connected with you emotionally? Is the music form still relevant today?

Susan: The Ramones were a huge influence on me. I think they were the catalyst that really caused me to form a band. I saw them live four times and decided if they could do it I could do it. Besides it was so much fun to go to one of their shows that I really did want to be in a band too. I like the "attack" of The Ramones' music. It almost hit you in the face up close at a live show. I think that music form will always be relevant. It's honest, raw, angry and fun all at the same time.

Surf music is sexy and promotes an atmosphere of just letting loose. The CD includes a Doors cover as well. How are sexuality, surf music, and Jim Morrison connected from your point of view?

Susan: Well....I always wanted to be Elvis. I've tried to bring a little bit of his rockablilly style into my live shows. Lately I've even gone back to wearing my hair like his during the Sun Records days. Jim Morrison studied Elvis. I believe I've read he used to make everybody shut up when an Elvis song came on the radio. My rock and roll role models have always been male so I guess that fits with surf music. I've recently started working with a go-go dancer, Seana Steele. She brings a sexuality to our live show that is subtle and seductive. Seana can probably give you another take on sexuality and surf music.

Seana: Having a go-go dancer included in surf rock music brings in elements of passion, of letting go, thus the term go-go dancing. Jim Morrison, although somewhat unwillingly, was seen as a sex symbol, as are many rock 'n roll musicians. With surf music, you do not have the vocals, so having a dancer makes the performance package more dynamic, more interesting, and yes, more sexual; personally I prefer the term sensual though, as this word evokes getting in touch with more than one of the five (or six, if you wish) senses.

For young women that want to explore their sexuality and rock out, are the only options Los Angeles and New York? What type of restrictions do you feel small towns place on individual ambition and expression?

Susan: I've always liked large cities. I found the ten years I spent in New York City to be most educational and exciting years of my life (so far). Smaller towns limit your options and having options is what makes life exciting and interesting.

Seana: Ultimately, I feel that if you are ambitious and smart enough, you can make things happen no matter where you are; however, larger cities do provide more options and provide a faster pace where things get done.  My experience with smaller towns is that often people may not be as serious about what they do and thus projects are delayed or dropped altogether.

What is the most wild tour story you have? Feel free to be explicit; what is the touring world of a surf-rock band like? How do you like California crowds and people?

Susan: After much thought I have to say the wildest tour stories involve driving. You spend a lot of time in that van. Driving around northern Europe in a wreck of a van that used to be a produce truck with a suicide knob on the steering wheel made for some dicey times.

There was the time the driver fell asleep and we veered off the road headed for a bunch of trees, the blinding snowstorm in Switzerland, hell ride up to the northern reaches of Denmark after an all-night romp on the Reeperbahn in Hamburg, driving through the tunnel in Paris where Princess Di got it just about as fast as that van would go. We did that twice.  The touring world of a surf-rock band is best summed up in The Ramones song, "Danny Says".  I like the California crowds. The people get instrumental surf music. It truly is part of the California culture like nowhere else in the world.   

What are the plans for Susan Surftone in the future?  With national recognition and songs receiving nationwide exposure, it looks like you are just getting ready to take over the world!  We would love to know about some of your highlights with your current release and upcoming plans. 

Susan: The band, including Seana, will be coming to California for a short tour at the end of September 2012.  Our website, www.susansurftone.com has all the details. I'll be recording the follow-up to "Shore" with producer Steve Kravac in February 2013 up here in Portland at Larry Crane's Jackpot Studio.  I'm really looking forward to that.   

Seana:  As Susan mentioned, we have an upcoming tour in September and a new album is in the works.  The album artwork is something I was really pleased to be a part of and I can't wait for everyone to see it!  We're working on creating an image that fuses the worlds of fashion and music.  It's a new and exciting direction that we're looking forward to exploring more.  

Your personal thought for the day and anything else you would like to add for our viewers about the Susan Surftone experience.

Susan: Just thanks for listening to my music and supporting me and the band. Come out and see a show. We really try to deliver a good time. Let's see..my personal thought for the day...there's always something new waiting up ahead and you'll never find it if you stop.    

THE END.

Susan Surftone

Fear & Loathing in Long Beach Magazine (pssst come by sometime)

Friday, September 14, 2012

WHITE ZOO RECORDS



In the middle of a global economic depression, what inspired you to begin White Zoo records and its new off shoot, Killed by Disco records?


I could not do anything else, I was one of those child turning over in his hands his favourite records dreaming of a day he would give the catalog number to the records of his own label.
Besides, you're right, it is a period of economic crisis and I’m selling just a few, I still have to cover the costs of those just made.
I also think it was the right thing to do, that someone has to publish those records, I guess they are great records.
With Killed by disco the idea was to remix some songs from the White Zoo bands and to publish stuff that makes me move my ass, which inevitably I’m going to do.

How did growing up in the South of Italy inspire you with its art and culture, does aggressive rock n roll and dance music deserve the same attention as legendary paintings and sculpture?


Growing up in southern Italy can be a source of inspiration in many ways, hahah! Certainly the art and culture of my places inspired me.
More generally, to answer your question, perhaps Mozart counts less than Bernini? Or The Velvet Underground less than Andy Warhol? So I would say that rock and roll and dance music are as important as the works of painters and sculptors, including those most legendary.

When we spoke earlier, you described yourself as a baroque punk. Could you explain to our American audience what that means and how does it differ from the commercial style of U.S top 40 punk, such as Green Day, Bad Religion, etc.


I grew up in a city, Lecce, in Puglia, where Baroque architecture and art plays an important part of aesthetics and culture, and this inevitably ends up influencing you, you begin to consider the meaning of art starting with the one which is nearest to you visually. The Baroque is extreme, in addition to being an explosion of different styles (Greek influence, Latin, Eastern…) meeting under the same style. To me “Punk” was always a matter of attitude as well, so when they ask me about punk rock, and sometimes you know how they can become pedantic or believe to be the custodians of absolute truth, dear Kevin, often I answer that to me it doesn’t matter that much because I am a baroque-punk, lol.
To understand and reflect about the Baroque influence, abouth how it could give you headaches and can be sexy I advice to these young Americans to watch Carmelo Bene movies, he was one of the greatest geniuses of the twentieth century, and he obviously came from my land. It’s time he should be discovered and appreciated in America, why I always have to take care of everything? Lol.

(Hermitage: http://www.youtube.com/watch?v=hOspx4bEJNI)
(Salomé: http://www.youtube.com/watch?v=MZTkYt1mOFQ&feature=related)


There is worldwide underground of electro and punk fusion, how is this altering the landscape of the traditional band? Is there more music happening on-line or in the bars, where bands are basically selling drinks for the venues?


I think that “underground” always enjoy good health, people just need a bit of interest in good music and to be open minded.
However there has always been a hybrid genre. Blending punk and electro is not new at all. “Punk” has defined the “Post” of rock & roll and pop music so much, speaking of music and attitude, and it was inevitable and natural that many of these musicians felt some interest for weird electronic sounds. Just think of Suicide or Chrome, bands that fuse the most essential and acid rock with electronic sounds.
Just a few days ago I bought a record of Lou Champagne System on Medical Records, a label from Seattle devoted to the synth-punk of the late '70s and early '80s, which publishes excellent reprints. They also reprinted Chrisma, an italian band, for example.

How intense are Italian women? What role do women play in the male-dominated music industry? I always think if I band isn’t attracting female attention, it may need to revise its song process! Do you find this to be true?



Italian women can be as intense as any other. Sure there are differences, but also many common features. I’m Italian so I’m gonna talk about my mother! For example she’s a very intense woman: a strong mix of Arabic and Italian blood, and she has also a unique Afro hair. I always tried to make her angry the less than possible.
About the role that women play in the music industry I can tell you that it seems to me that things are changing, I happen to see more and more women play positions of power at the booking agencies or management agencies, but I don’t find a great difference between their behavior and the men behaviour. This is music business and it could be extremely boring.
Regarding the musical aspect I think you're right. Personally I am one of those that when hear or compose a song would privilege his feminine side. Of course it would be sad to put music or playing in a club and not see the girls having fun with the guys.

Do you feel that a band or individual that defines their existence by genre, are actually limiting their own expressions and exposure to the world? How much of an influence should real life experience be in the creative process?


It depends. Sometimes we use the definitions for convenience. Taxi for example used to say they play punk rock, but in my opinion they were the first to know that they were doing something different. The music, just as with real life, evolves no matter what the artists say or play or they say they are playing.
About myself as an individual you better go back to the concept of baroque-punk, hahaha.

With the breakthrough exposure of Guida in legendary rock journals such as Rolling Stone and Mojo, White Zoo is gaining momentum. What changes does the exposure have on your other releases?


I'm still waiting, hahaha! I think Giuda is a great band. But I also believe that all the other bands on White Zoo records are very great bands.
The Silver Cocks for example have created one of the greatest “Punk” record of the last decade, Livitnenko is a hymn. It is up to me as to them to achieve the deserved notoriety.

Where do you see White Zoo and Killed by Disco in the future? Will there be an Italian Invasion of music in the U.S?


There has always been this supposed Italian invasion on the American soil! What about punk or disco music of the 70s? What about Dave Mancuso, Francis Grasso, Johnny Genzale? Now make your way to the originals! Hahaha!
For the future I hope there will be enough place and money to keep producing the music I like with my two little creatures. I hope people have fun, laugh and have sex while listening to the music I produced. I hope to become as rich as Dino de Laurentiis and visit you in Los Angeles.

Is there anything you would like to say to our readers? Feel free to say whatever is on your mind….


Dear readers, this is my first American interview, so if you cross Kevin in a bar pay him a beer! Eternal love and respect for him! Ciao America!

cheers, We eagerly await the next move of Sergio and White Zoo!