November 22, 2013 (F/L) My first exposure to Sympathy for the Record Industry was in 1989 when I began reading zines like Flipside and M...

The latest full-length release by Bloody Knives twists the genre of post-shoegaze into an indescribable form filled with disturbed dignity...

I originally wrote this piece almost two years ago. A few months later, I returned to California for an abbreviated stay. I deleted this en...

Eureka California’s Versus is the underground breakthrough album this decade has been waiting for. Clever and cunning in its deconstructi...

It was all just a dream. It was only a movie. No one was watching you that closely. The psychedelic burn that comes with the fever of livin...

The lingering stale smoke of haunted hotel rooms and doomed romance share a beautifully tragic quality, the same backwards on/off switch tha...

I love the feeling of driving through dimly lit desert roads late in the night. A hallucinogenic purity fills the air, as it pulses through ...